Comets Ov Cupid “Medusa Of The Skies” Live Aug 28, 2015

Comets Ov Cupid
Guitar: Jason Kesselring
Bass: Erik Wivinus
Drums: Matt Entsminger

Live at Eagles Club
Minneapolis Mn
Aug 28, 2015. The Medusa of the Skies
Clark Ashton Smith
Like a worm-fretted visage from the tomb,
The moon unswathes her hollow, shrunken head,
Launching such light as foulders on the dead
From pallid skies more death-like than the gloom.
Under her beams the breasted lands assume
Dead hues, and charnel shapes unceremented;
And shadows that towering sepulchers might shed
Move livid as the shadows on dials of doom.

On hills like tumuli, and waters mute,
A whiteness steals as of a world made still
When reptant Death at last rears absolute—
An earth now frozen by malefice of eyes
Aeonian dooms and realm-deep rigors fill—
The gaze of that Medusa of the skies.

New Review of “Eko Eko Aradia” from the folks over at Ptolmaic Terrascope!


A nice review from Ptolmaic Terrascope (

check it out!

“Eko Eko Aradia” by Comets Ov Cupid is a terrific set of four Kosmische drone/synth/effects-laden-guitars pieces, all of which build up a suitably spacey atmosphere. Jason Kesselring is the man behind the project, playing all the instruments, with the album set to reflect the wide-open space and Cold War mystery of his native North Dakota. Opener ‘Sein Und Zeit’ matches phased drones and pads with a deeply reverberated guitar (though it sounds like a santoor or dulcimer). The title track adds more mysterious voices to the sound world, while ‘Fly By The Comet’ is a patchwork of harmonics, sound effects and gliss guitar. Album closer ‘The Infernal Star’ pits an oscillating guitar arpeggio with more spacey effects. Fans of the the music of Quiet World who like a bit of added cosmic mystery would enjoy this. It doesn’t vary too much, but it builds up an effective set of atmospheres if you stick with it.


All Comets Ov Cupid titles available through


Just a heads up to all interested. All four Comets Ov Cupid are available for sale on the this site. Just go to the menu above or follow the links below!


Feb 19, 2015 Comets Ov Cupid live at the Amsterdam Bar and Grill


Amsterdam Bar and Hall

6th & Wabasha
Saint Paul, MN 55102
Map, Directions & Parking
(612) – 285 – 3112
Open 7 days a week 11am – 2am

it_ebooks_pdf it_ebooks_down

RYKYGNYZYR, Breakaway, MAKR, Comets ov Cupid

9PM ✖ Bar ✖ Free ✖ 21+






Comets ov CupidComets ov Cupid



Jan 30, 2015 – Drone Not Drones with Pagoda Ov Thunderbolt

Thunderbolt Pagoda is a progressive space rock group from Minneapolis and are absolutely fantastic. So when they asked me to collaborate with them for Kosmische Drone set for the Drone Not Drones ( event I jumped at the chance. Here are some pics of our performance that night.


IMGP1206 IMGP1207 IMGP1210IMGP1211safe_image

Aural Innovations review of Comets Ov Cupid “Eko Eko Aradia”

Comets ov Cupid – “Eko Eko Aradia” (self-released 2015, CD/DL)

I’ve been following guitarist Jason Kesselring’s work since the early Aural Innovation days, starting with the late great Minneapolis based Space/Psych/Kraut Rock band Skye Klad (who I also got to see live at the 2000 Strange Daze Space Rock Festival). Kesselring went solo with Satyrswitch, a vehicle to explore his interest in Jansch/Graham/Basho guitar styles and other acoustic music. Now based in North Dakota, Kesselring’s solo project of recent years has been Comets ov Cupid, which across his first three albums covered textural Ambient/Drone explorations and blistering Space Rock for the alchemically inclined.

Eko Eko Aradia is the fourth Comets Ov Cupid album and draws inspiration from the 70s German Kosmische pioneers like Ash Ra Tempel, Klaus Schulze and Cluster, as well as ambient/minimalists like Fripp/Eno, Glenn Branca, Earth and Sunn 0))).

The album consists of 4 tracks in just under 40 minutes. All the pieces were played in one take with little to no overdubs. Acoustic and electric guitars are the main instruments, as well as theremin and a Micro Korg on the opening track, Sein Und Zeit, which starts off with expansive yet minimal soundscapes and spartan guitar patterns. Multiple guitar parts are gradually introduced until it sounds like a cosmic symphony of repetitive chordal arrangements and spaced out solos which brought to mind a Cluster enhanced duet between Manual Gottsching and Robert Fripp. This bleeds into the 15 minute title track, which begins with a dark, lightly symphonic drone and strange voice samples that repeat “Eko Eko Aradia”, which I learned from good ‘ol Wikipedia is the opening phrase to a Wiccan chant. The guitar adds to the drifting, cosmically orchestral feel, creating a doomy impression and lacing the atmosphere with swirling and soaring waves of caustically Psychedelic strikes and screeching runs of what sound like an acid damaged violin. The music soon settles into a sweeping yet disorienting minimalist orchestral exploration that straddles the line between intense acid-noise and cloud floating, atmospheric drone. As the finale seeps into Fly By The Comet, we sail along with lightly jamming acoustic guitar and hovering efx’d guitar that’s like a soundscape generating, gliss-like banshee violin, which becomes darkly intense and even a little rhythmic rocking as it morphs into The Infernal Star. And sure enough, the multiple guitar parts start to rock out like some kind of avant-Psychedelic Branca guitar symphony. The intensity increases to apocalyptic levels, with smoldering stoner doom surges and a sense of sheer cosmic corrosion. Yet despite the high intensity skirmish, the music never loses a general perception of meditative drift.

As an artisan/constructor of aural landscapes, Kesselring nimbly blends his classic Kosmiche and ambient/minimalist influences to create a journey into the furthest reaches of Psychedelic color and texture. And he does so without always so heavily drenching his guitar with effects that it’s beyond recognition.

The cover photo is worth a mention as it aroused my interest. It’s a futuristic ruin known in Fortean Folklore as the “North Dakota Illuminati Pyramid”. It’s a relic from the height of the Cold War though many conspiracies still abound as to its real function. When I questioned Jason about it he pointed me to a web site which explained that it was situated on a missile site radar complex used to locate missiles fired from foreign powers at the USA so that they could be destroyed. The base was armed with 30 Spartan anti-ballistic missiles with thermonuclear warheads and sixteen short-range Sprint missiles. How fortunate for the North Dakotans to play host to all that Cold War fun.

For more information visit the Comets ov Cupid web site at:
The download is available at:

Reviewed by Jerry Kranitz